1 PART THICK SKIN, 1 PART OPEN HEART
There’s a lot to learn when you’re an unpublished writer.
(There’s a lot to learn when you’re a published writer too, but that’s a whole
different post.)
Learning the craft is not easy as you try to master
intangible things like character development, description, setting, pacing,
conflict, resolution…etc.
Then there are other skill sets you need. Things like how to
give a decent critique and maybe, more importantly how to accept a critique
(that may or may not be decent).
That’s what I’m going to talk about today. How to deal with
a critique, or a rejection letter, or, down the road, a less-than-effusive
review.
Nobody likes to hear that something they’ve slaved over for
months, or even years, isn’t simply fabulous. After all, you’ve poured your
heart and soul into this and you love it. The rest of the world should too,
dammit!
But life doesn’t work that way.
So you have three choices:
- Don’t send your work out. If you don’t share it, no one can pick it apart. Of course this guarantees you’ll never publish it, but hey, if you really can’t take the criticism, this is an option.
- Share your work, but develop the mindset that if you don’t like a criticism, it’s “wrong” and don’t even consider changing your manuscript.
- Put your work out there and take your lumps, knowing that they’re part of the learning curve. Be brave enough to drop your defenses and consider that the critique/rejection may have some merit.
I happen to think number three is the way to go…with one
HUGE caveat.
It’s okay to wallow in your misery first.
No, really, rail against the unfairness of the critique
deliverer for a set amount of time (I tend to like the 24 hour rule) and then
look at what they’ve said again. Chances are, once you’ve had your little
temper tantrum you’ll find nuggets of wisdom in a critique. If you can’t, your chances of improving your
book are greatly decreased.
I know that may be hard to swallow, but I’m speaking from
experience.
I rewrote THE FIRST VICTIM three times for an editor at one
publishing house…and he ultimately passed on the manuscript. I rewrote it two
more times for another editor at another publishing company before it was
accepted. Each time I got an editorial letter I railed about how ridiculous it
was. Then I calmed down and implemented 80 percent of the suggestions and
finally, after WAY more work than I’d have liked, I sold the book and launched
my publishing career.
Did this mean I was suddenly the “perfect” writer? No,
another editor, at another publishing company, made me rewrite sections of both
CONFESSIONS OF A SLIGHTLY NEUROTIC HITWOMAN and FURTHER CONFESSIONS OF A
SLIGHTLY NEUROTIC HITWOMAN.
Here are a couple of things to keep in mind when you receive
a rejection or critique you don’t like.
- It’s one person’s opinion. You don’t have to take it as gospel, but if you ignore it out of hand because you don’t like it, you’re shortchanging yourself of the chance to improve.
- This is a tough business. You have to develop a tough skin. Yes, criticisms hurt, but you can’t let them stop you in your tracks. Forward momentum is everything.
- You don’t know everything. Your ego isn’t 100% “right”. Success results when you try something new and/or learn from your mistakes.
Just so you know that I don’t think I’m perfect or an
expert, here’s one of the one star reviews for THE HITWOMAN GETS LUCKY that
made me wallow:
“What a stupid waste of time, the only reason I finished it was I was
walking on a treadmill. Ridiculous plot and even more inane characters. Main
character Maggie has conversations with her dog and her lizard, works at an
insurance company and kills people for pay on the side. Now is asked to steal
and suddenly she has a conscious? I give it one star as I read the whole book
in a 60 min walk. Glad it was on the "free kindle books" from Amazon.
Highly doubtful I would read another book by this so called writer.”
Ouch! Right??
Still everyone is entitled to their opinion. The trick is
figuring out whose is worthwhile and not being too egotistical to learn.
BIO:
Besides
being a writer, JB Lynn is a compulsive reader, a runner (of sorts), an
enthusiastic cook (who doesn't get the appeal of the Food Network), and someone
who has an irresistible urge to eavesdrop at all times.
For more
information about JB and her books, visit: http://jblynn.com
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Or you can buy her books through her author page at Amazon. The fifth book in her Neurotic Hitwoman series - The Hitwoman and the Neurotic Witness - just hit the shelves and it's a definite winner.
